Three Important Things If You're New To Film Photography

by Kyle McDougall

I’ve had a lot of people ask me similar questions when it comes to things like exposure, rating film, and scanning when shooting with film. If you’re new to the medium, the slight changes in workflow and process can be a bit confusing, so I wanted to put together this video and talk about three things that I think are incredibly important to understand when working with film. I hope this clears things up and helps anyone who is just starting out!

Source(Kyle McDougall Youtube)

REVIEW // Kodak Ektachrome 100 (E100)

By Damien Woods

News of Kodak bringing back their famous Ektachrome broke about 3 years ago? And eventually coming available late last year, I knew I had to get some. 5 rolls later, my first experience with slide film. I took some with me to a relative's home in sunny Pomonaon the Sunshine Coast here in Queensland. Photographing some of their garden whilst taking a small break over Christmas. With my Canon A1 and 50mm f/1.4 SSC (my current favourite both in size and performance). Different textures, colours, arrangements. Later some more plants in my own backyard. Even in low sun the colours remain vibrant.

Some other samples of E100 shooting a local car meetup, with occasional spot of cloud, waiting for early morning sun to bring out some colour in vintage cars. 
Favourite colours: burnt orange and green. Perfect.

Tech Stuff

  • Low Speed (100) Color Transparency Film (E6, Slide)

  • Exposed from 100

  • Film Manufacturer - Kodak Alaris *Probably Rochester New York

All shot on Kodak E100 Ektachrome, Canon A1, Canon 50mm f/1.4 SSC

Dev/ Scan - Racquet Studio

Scanning Film With Your DSLR with Matt Day

I've recently changed up my method of scanning film and have been really happy with the results. I went from years of scanning with an Epson V600 to using my Fujifilm X-T3 and a macro lens. Today, I'm breaking down the entire process from start to finish.

I've recently changed up my method of scanning film and have been really happy with the results. I went from years of scanning with an Epson V600 to using my Fujifilm X-T3 and a macro lens. Today, I'm breaking down the entire process from start to finish.

Source (Matt Day Youtube)

REVIEW // HILLVALE Holiday Film & Canon A1

by Damien Woods

First Review post for 2019 has WECC Member Damien Woods sharing the brilliance of Hillvales latest Film stock….HOLIDAY

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"I recently travelled to Scandinavia a few months ago and naturally bought a few extra rolls for my trip. Discovering Hillvale Lab in Melbourne had recently released their latest 'Holiday' stock, I got online a ordered a few rolls. Below are a number of samples I shot whilst travelling in Norway to Svartisen Glacier. With unpredictable weather conditions throughout Scandinavia we were blessed with sunshine that day. Shooting on my only working Canon A1 (1 out of 3) and the Canon 50mm f/1.4 SSC. With toasty warm colour saturation, a hint of fog in some shots, solar flares. I felt like this was the perfect film. I try to pick the film for what I'm shooting, I was glad my camera was loaded with Holiday."

TECH STUFF

36 Exposures

  • Daylight-Balanced Color Negative Film

  • ISO 200/24° in C-41 Process

  • Fine Grain and High Sharpness

  • Wide Exposure Latitude

  • Film Stock Manufacture: Fujifilm C200 ???

Cheers,

Damien Woods, photographer (analog)

WEBSITE

VIDEO // Scanning Film With VueScan + Epson Scan Comparison

In this video, I go over my film scanning workflow using VueScan software and an Epson V500 and then compare the results with Epson Scan. I've only been using VueScan for a short period of time, but I've been incredibly happy with the results, and feel like I finally have a workflow for scanning at home that produces the results that I'm after.

Source ( Youtube)

LOCAL NEWS // Racquet Film Public Darkroom FUNDRAISER

We at WECC have been great fans of everything Racquet Films do, and getting a Public Darkroom off the ground is something we are going to cheer and yell about. With a few more "secrets" in the works, this is just the start of what we hope is a great ANALOG revival for all Brisbane Film Fans. We call all to arms and encourage all FILM shooters to help get this well-needed service off the ground ....workshop anyone.

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Racquet Film began as a comission-free agency to help photographers make more money without paying fees. We've since expanded rapidly, with the opening of our full service lab (C41, B&W, E6 in 135, 120 and 220 formats, all done in-house). The demand for a public darkroom has become apparent, and the building directly next door of Racquet Film's lab and gallery is currently on hold. Racquet Film are willing to match the amount donated to cover the $18,000 bill to rent the space, and are taking donations to build a pro-grade darkroom that the entire Brisbane community can use. We'd be so greatful for any donation, big or small, whether it be money or darkroom equipment. Having spent four months in the shop, we've witnessed first hand the growth of film in Brisbane, and we want to continue to nurture this advancement, and think the expansion of services for the Racquet community is an amazing way to do this. 

100% of the funds will go toward darkroom equipment, associated bills and the other expenses it takes to make a professional darkroom worthy of public use. As previously mentioned, any donations would be greatly appreciated, and we are truly passionate about advancing film photography in Brisbane (the old school way).

Thanks in advance for your support, and feel free to contact us with any questions or suggestions.

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