Photojournalist Camille Lepage Dies at 26 Interview by Gregory Eddi Jones

Heart-breaking news came out of Bangui, Central African Republic today. It has been confirmed that 26-year-old French photojournalist Camille Lepage, who we had the honor of interviewing just 6 months ago, has been killed while covering the ongoing crisis there.

Gregory Eddi Jones · Oct 22, 2013

For over a year now, documentary photographer Camille Lepage has been photographing the struggles of South Sudan. As a new country, sovereign since 2011, South Sudan can be considered a hotbed for social, political, and religious conflicts. These conflicts are laid bare by Lepage through a strong, intuitive eye and a determination to get her shot.

Her two on-going bodies of work, You Will Forget Me and Vanishing Youth (which are on display below) contain stirring imagery that speak of the violence, and the religious and cultural dissonance that permeates this young country and its people.

PetaPixel: First Camille, when did you become interested in photography, and what most inspired you about it?

Camille Lepage: I’ve always enjoyed taking pictures, but never thought about taking it to a professional level until 2011, as I was traveling around different countries for my journalism degree. I had my camera with me, and probably took more care of taking well composed pictures to go with the stories I was covering than the actual writing. Then, a few months later as I was in my last year of University, I got to think about what I really wanted to do, and realized that photography took the biggest part of my heart.

I decided to go for it and give myself five years to see if I could become good at it, and make a living out of it. What fascinates me about photography is its universal language. Unlike other media, anyone can understand a picture, feel it, it speaks to the viewers. I probably say that as I’m a photographer but I feel that picture you love lives in you, you can think about it and they get you where the photographer was, which is amazing.



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