Interview by Patricia Karallis
From the beginning, The Heavy Collective has been about
contributing to a global conversation around image making
and the publication leans on that same idea.
Sydney based The Heavy Collective started as an online platform showcasing interviews, features and more with photographers whose work display a breadth of subjective and conceptual ideas. Continuing their format from online to offline, they successfully crowdfunded their first print edition and are back with Heavy Vol. II.
Featuring artists Irina Rozovsky, Joanna Piotrowska, Daniel Shea, Mark Peckmezian, Aglaia Konrad, Curran Hatleberg, Deanna Templeton, Dana Lixenberg, Susan Lipper, Stephen Shames, Yoshinori Mizutani and Katrin Koenning, the latest edition is ‘a compendium of contemporary photography focusing on the conversation; Heavy Volume II is in an exploration of image and text on the printed page'(1).
We spoke to founder Jack Harries about his beginnings with photography, his publishing and editing processes and future plans for The Heavy Collective.
Could you tell us a bit about your background and where your interest in photography came from?
I grew up in a creative environment, my mother was a painter and a sculpture and often used a camera. I taught myself photography as a teenager, but didn’t take it seriously until I was in my mid 20’s. I wasn’t great in school as a teen and ended up having my time there cut short; as much as The Heavy Collective is a space to spotlight other photographers work, it’s also been a way of giving myself the education I might of missed, albeit a very focused one.