I work predominantly with the photographic medium, and recently with analog photography almost exclusively. The analog process has been a great source of learning to me, and I find it has a certain depth, a weight, that digital images don’t carry in the same way. Adrien Blondel
It is a common thing to think about the bedroom in which one grew up, scattered memories of a time cherished or loathed, but essential, the private space of self-development.
Most people move out and away from their childhood room, and seldom keep a link to this space, other than in their memory or photographs, where space itself is often just the background.
For some, the room has barely changed since they lived in it, and it is as if the memories settled, like dust, the room remains suspended in time, a personal museum. For others, the room has been entirely remodeled, keeping almost no traces of the memories evoked.
This series is a playful attempt at reversing the concept of photography as the representation of something that is no longer, by presenting people’s memory of their childhood bedroom, collected as an interview, with a photograph of what the room is now, creating an image that contradicts the memories evoked, and the visualization that comes from hearing them. The photographs were taken after the interview, in the hope that, consciously or not, the image will reflect on the memories that were evoked, and point at how a human presence in a place possibly leaves it changed. This process tries to acknowledge the layers present in a room, the never-ending creation of memories linked to a given space and the multitudes that pass through it, and maybe the sum of all of those memories tells us about the essence of a space.