GEAR REVIEW // The X100T: a review in five pieces by Patrick La Roque

ok it is know secret we here at WECC love FUJIFILM and in particular the X100 in all it's variations. So when yet another review pops up on the WWW we are here to enjoy and spread the word ...... WORD

I longed for Istanbul. Or Madrid, Cairo, Rio. I longed for the circus, for freight trains, for a rush of uncertainty in long and aimless circumambulations; for an assault on the senses and a total loss of balance, making my way through the unknown, sinking in strange quicksand crowds with my eye to a small window.

That was me, waxing poetic during the intro of the X100S review almost two years ago. It may have seemed strange to some that a camera, a simple capture device, could elicit such a high level of emotion; but I believe objects can become more than the sum of their parts. These tools can become an extension of ourselves and when they do, something else happens: they inspire us. To this day when I see an X100 I have an almost Pavlovian response, something I can only describe as photographic withdrawal syndrome: it makes me need to shoot. Anything. It also infects me with a serious case of wanderlust, which I imagine is a byproduct of these cameras being my constant travel companions since the very first version hit the scene; I still own that original model with all its beautiful infuriating faults.


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VIDEO // Introducing The Lomo'Instant

Well is there anything LOMO cannot do ? .... or re-do /  .... and give up on the 'Fisheye' already. 

Say hello to the Lomo'Instant ! The Lomo'Instant is the perfectly sized Instant Camera to take wherever you go! This package includes 3 creative Lenses - Fisheye, Portrait & Closeup! 

Seeing as we couldn't score a camera for this post here is a actual review by Jim Fisher over at


We posted Mark Soon's great article a couple of weeks back regarding Adobe Lightroom's limitations when dealing with Fujifilms X-trans sensor files. Here Peter Bridgewood runs you through his X-trans imaging process when using Lightroom, enjoy.
image Simon Johnson iPhone 5

image Simon Johnson iPhone 5

Sharpening is one of the most taxing aspects of the digital process and consequently many photographers prefer to stick to safe and secure ways, either using presets, plug-ins, exporting to Photoshop or ultimately using JPEGs straight from camera. The X-Trans sensor produces wonderful JPEGs, and all the usual advice about always shooting in Raw doesn’t necessarily hold true anymore. There are now many professional photographers who happily shoot JPEG using X-Series cameras all the time and have no complaints.

JPEGs are very convenient, but for a landscape photographer like me, interested in the creative process and using post-processing as part of the digital alchemy, Raw files are so much more versatile. Sharpening Raw files from the X-Trans processor can be challenging for those of us who have grown familiar with more traditional Bayer array sensors; they demand a different approach and even experienced photographers will find there is a learning curve.

The sharpening controls in Adobe Lightroom have evolved to a degree of simplicity and perfection that eclipses much of the competition, including Photoshop. There were some initial teething troubles when sharpening X-trans files using earlier iterations of Lightroom; ‘waxing’ is one of the terms used to describe what can happen in images with high detail frequency (for example scenes with lots of fine detailed foliage). However, Adobe and Fujifilm have been working closely together to perfect the algorithms working behind the scenes. At the time of writing, I’m using Lightroom 5.6 to sharpen all my Fuji RAF files and creating exhibition prints up to A1 size without any significant problems.

This guide offers an introduction to perfect sharpening for Fujifilm X-Trans Raw files (.RAF files) in Lightroom 5

The processing of any digital image requires two essential and distinct types of sharpening: output sharpening and capture sharpening. Output sharpening is the final step in preparing an image for printing or display on screen. Because output sharpening always depends on known variables like printer model, paper type, and degree of enlargement, it is best performed automatically. In Lightroom, output sharpening is applied in the print module or for images intended for display on-screen it is applied on export. This guide relates only to sharpening that requires our human judgment, capture sharpening.


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