By Nick Bedford
In the last six months, my approach to photography has changed a great deal, leading me to switch to film for most of my black and white work. The process of shooting film, from the tactility of the Leica M7 and Nikon FA cameras I use, to the developing and scanning process have given me a much deeper appreciation for the craft of being a photographer.
The issue I face after becoming so accustomed to the rich, grainy texture and tonal range of Kodak's much-beloved TRI-X 400 (400TX) film is that my work has become a sea of monochrome.
I've created some of my best black and white work this year alone, but my long-held desire to carry only a single camera has made it difficult to create both colour and black and white photographs at the same time.
Being able to shoot my digital Leica M Typ 240 and still achieve the feeling of Kodak Tri-X at same time as producing colour work is something I have been reaching for with a new effort to simulate, exactly, the look of 400TX. It has taken me a few months, but I think it's ready.